40x40cm，oil on canvas
This painting was created by me after experiencing emotional trauma.
It depicts a wounded woman, a person struggling in chaos and confusion, attempting to retrieve her soul.
At that time, I was powerless to outline her figure with clear lines. I could only let my emotions surge on the canvas, and the colors spread like unhealed wounds.
Her face was faintly visible among the flame-like blocks of color, as if burning and as if slowly fading away.
I can't and don't want to set a complete boundary for her, because at that moment, my own emotions were also broken and unstable.
This painting records an effort to understand the fragmented state of the self, a silent cry, and a touch of difficult groping in chaos.
She is both the wounded part in my heart and my response when facing the unknown and pain.
20x50cm，oil on canvas
This painting depicts a fantastical life form originating from the deep sea.
During the creative process, I was reminded of primitive and tenacious biological forms such as tardigrades, ancient microorganisms and conches. They survive in extreme environments, possess vitality beyond imagination, and also carry a mysterious and unfamiliar life atmosphere far from human civilization.
The constantly twisting and flowing forms in the picture seem both like soft flesh and as if a hard shell is gradually taking shape. Colors surge against the dark background, with red and blue interweaving to create a strange texture that is both warm and cold.
This is not a reproduction of real creatures, but an imagination of the original form of life, a force that self-evolves and self-grows in an unknown environment.
40x40cm，oil on silk
This painting originated from my depiction of an injured face at first.
I imagine a person with torn eyes and festering cheek wounds, attempting to capture that fragile and painful state on the canvas. As I delved deeper into painting, colors and forms kept flowing unconsciously. Gradually, I discovered that the forms emerging in the picture increasingly resembled the reproductive organs of a woman.
Facing this change, I took the opportunity to develop the image in this direction
Wounds and organs are intertwined in this process: it is both the rupture of the body and the starting point of life.
In the picture, the soft texture and the raw tones interweave, revealing both fragility and pain, as well as a kind of primitive and chaotic vitality.
This work records the process of an image's self-growth and self-evolution unconsciously.
It stems both from the gaze at the injured body and the silent exploration of life, vulnerability and the instinct of existence.
40x60cm，oil on canvas
This painting is a depiction of a part of a monster's body and serves as a supplement and extension to my monster series creation.
In this work, I did not attempt to present the overall image of the monster, but focused on imagining the texture of its skin surface - soft and undulating, scarred yet full of hidden vitality.
This layer of skin seems to be breathing slowly and wriggling slightly, revealing both fragility and an unknown energy.
Every wrinkle and every patch of pigmentation seems like a mark left by time on this body, both strange and carrying a strange sense of intimacy.
Through such partial depiction, I hope to make the viewers realize that the monster is not a complete and controllable existence, but is composed of countless vague, fragmented and constantly growing parts.
60x80cm，oil on linen
This painting depicts the fur of a hunted monster lying on the snow.
The warm colors interweave with the cold background, creating a silent and sorrowful atmosphere.
I did not depict the complete body, but only used flowing brushstrokes to show the surging of hair, hinting at the lingering warmth and disappearance of life.
It is not a violent recurrence of death, but a gaze at the lingering breath after the disappearance - a subtle experience of fragility, dissipation and residual warmth.
15x17cm，oil on paper
This small oil painting on paper is a rewrite of an old work from a year ago.
During the creative process, I attempted to trace back the emotions I had when I was painting, and once again feel that intuitive impulse and chaos.
It retains the traces of the original work while also incorporating new perceptions of the present moment.
This is an attempt to have a dialogue with the past, a process of re-touching oneself in the flow of time.
15x19.5cm，oil on paper
In this work, "Miss Rabbit" appears in the picture in a curled and playful posture.
She is like a tender life, half protecting herself and half carrying a slightly provocative and lively air.