180x154cm，oil on canvas
This work continues my exploration of the "monster" imagery. The forms in the picture lie between human organs and unknown creatures, curled and writhing, seemingly generating and disintegrating. It has no clear shape, yet it carries certain signs of life, like a mixture of body and emotion. Through the brushstrokes of layering and smearing, I made the pigments present a moist and sticky texture, making the picture have both a physical sense and an uneasy, unfamiliar atmosphere. For me, this "monster" is not an external other, but an embodiment of the desires, fears, and perceptions within the body. It is an existence between humans and non-humans, representing the state of the body's transformation and self-reorganization.
142x120cm，oil on canvas
This work marks my shift from the "monster" imagery to the exploration of "body landscapes". The figures in the picture no longer possess the characteristics of humans or creatures; instead, they exist in a blurry state between skin, terrain, and organs, as if the body is externalizing and expanding, gradually transforming into a terrain that can be viewed. The soft brushstrokes and the layered colors create a flowing sensation like breathing, and the interweaving of flesh powder and ochre red gives the picture both warmth and fragility. Unlike the earlier "monsters" that were closed and oppressive, this work is more open, suggesting that the body has been liberated from fear and deformity and has become a landscape-like existence. At the same time, I no longer insist on filling the picture with paint; instead, I intentionally leave thin and transparent oil marks, making the picture more loose.
90x90cm，oil on canvas
This work represents a significant shift in the painting language. I began to pay more attention to the physicality of the paint and the expressive power of the brushstrokes. Compared to the previously relatively smooth and flowing images, this piece has made a notable breakthrough in the thickness of the paint. Through methods such as layering, scraping, and re-covering, I created conflicts and interpenetration between the color layers, generating a "vertical depth".